Comments on: Agora (Spain 2009) https://globalfilmstudies.com/2010/07/12/agora-spain-2010/ An introduction to global film for teachers and students Fri, 03 Dec 2010 07:11:56 +0000 hourly 1 http://wordpress.com/ By: Dumbbell Set Weights https://globalfilmstudies.com/2010/07/12/agora-spain-2010/comment-page-1/#comment-859 Fri, 03 Dec 2010 07:11:56 +0000 http://itpworld.wordpress.com/?p=3231#comment-859 Rachel Weisz have that mysterious look and she is very appealing to most men and women ~.:

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By: erwin https://globalfilmstudies.com/2010/07/12/agora-spain-2010/comment-page-1/#comment-858 Sun, 12 Sep 2010 08:58:56 +0000 http://itpworld.wordpress.com/?p=3231#comment-858 I did find the various accents distracting. Especially the British accents. Once the action intensified though, the accents no longer were distracting.

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By: venicelion https://globalfilmstudies.com/2010/07/12/agora-spain-2010/comment-page-1/#comment-857 Tue, 17 Aug 2010 21:47:58 +0000 http://itpworld.wordpress.com/?p=3231#comment-857 In reply to Sam.

I think we agree on the dialogue question. As I wrote, it was strange to see the same actor in two different historical roles one after the other. The other point was simply that I thought he came across as an American actor. Nothing wrong with that of course – but because there were no other Americans in the cast he stood out against the Europeans. I see from research that his background which includes ‘French Israeli’ as well as ‘Cuban-Guatemalan’ is actually very much like some of the other cast members – so the casting was justified in terms of Amenabar’s overall strategy. I’m happy to reconsider if my comment was unreasonable.

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By: Sam https://globalfilmstudies.com/2010/07/12/agora-spain-2010/comment-page-1/#comment-856 Tue, 17 Aug 2010 16:42:16 +0000 http://itpworld.wordpress.com/?p=3231#comment-856 I thought Isaac’s performance was as stand-out in the movie! As for the “contemporary” dialogue. It’s a common misconception that people talked like they wrote in antiquity. Come on, there is such a thing as common speech. Everytime we are lucky to find unofficial, private scriptures of antiquity or the times after we get a gimps at how people might have talked in private. Or, I dunno, just read some of the old Roman comedies. Definitely closer to Orestes’ delightful sarcams than than sword and sandal clichés.

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