Comments on: Meek's Cutoff (US 2010) https://globalfilmstudies.com/2011/05/31/meeks-cutoff-us-2011/ An introduction to global film for teachers and students Thu, 18 Aug 2011 14:24:02 +0000 hourly 1 http://wordpress.com/ By: keith1942 https://globalfilmstudies.com/2011/05/31/meeks-cutoff-us-2011/comment-page-1/#comment-39 Thu, 18 Aug 2011 14:24:02 +0000 http://itpworld.wordpress.com/?p=4957#comment-39 I saw the film again and it stands up strongly. Re the sound, several members of the audience seemed to have difficulties, but I could follow all the dialogue that we were meant to hear.
I remarked afterwards to a friend about the the film as western giving the ‘woman’s point of view’. She aded that it also seemed to give the Indian’s point of view at times. I thought about this: we, of course, are denied access to his thinking as his dialogue is not translated. I think this aspect reflects that Emily tries to understand and communicate with him – something the men fail to do.

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By: Just Another Film Buff https://globalfilmstudies.com/2011/05/31/meeks-cutoff-us-2011/comment-page-1/#comment-38 Tue, 14 Jun 2011 15:37:29 +0000 http://itpworld.wordpress.com/?p=4957#comment-38 Excellent stuff, Roy. This is number 1 on my watch list. I hope I can get to watch this soon.

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By: Roy Stafford https://globalfilmstudies.com/2011/05/31/meeks-cutoff-us-2011/comment-page-1/#comment-37 Mon, 13 Jun 2011 09:53:30 +0000 http://itpworld.wordpress.com/?p=4957#comment-37 In reply to Ray bignell.

Today’s Observer has a feature about the current debate re ‘slow cinema’ – sparked partly by the new Terrence Malick film Tree of Life (which has now got a July 8 release date from Fox). American critics seem to have got into a tizz about it. Some of the best current films are ‘slow’ – e.g. Le quattro volte – but no more so than before I think. In the same paper Robert McCrum argues that whereas cultural choices for the middle class were traditionally governed by canons laid down by elites, everything is much more open now. He characterises this by suggesting that we used to be like koalas (eating only tasty eucalyptus) but now we are more like goats (i.e. omnivorous). The more goatlike we get presumably, the more we are swayed by what is easily available – and easy to eat. So really the problem is boring action movies not ‘slow cinema’.

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By: Ray bignell https://globalfilmstudies.com/2011/05/31/meeks-cutoff-us-2011/comment-page-1/#comment-36 Fri, 03 Jun 2011 19:19:38 +0000 http://itpworld.wordpress.com/?p=4957#comment-36 I really enjoyed this film. I try not to read too much ahead of seeing something so I start with a relatively open mind (in any case I usually forget what I’ve read). So, the first thing that hit me was obviously the ratio; I didn’t have a problem with it but it was a surprise. Then, of course, the pacing which I realised right from the outset was going to be the antithesis of most American movies. Finally, the lack of an ‘ending’ in the normal sense.
Now having been brought up watching European movies in the late 60s and 70s none of this bothered me but I got the distinct impression that quite a few members of the audience were shuffling a bit uneasily and I had a sense of a certain amount a bafflement at the end even though this was in an ‘art cinema’. I don’t think this was my imagination so it would be interesting to know generally how audiences nowadays react to ‘slow cinema’.

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By: keith1942 https://globalfilmstudies.com/2011/05/31/meeks-cutoff-us-2011/comment-page-1/#comment-35 Fri, 03 Jun 2011 13:25:39 +0000 http://itpworld.wordpress.com/?p=4957#comment-35 Impressive.
Kelly Reichardt’s previous films [Old Joy and Wendy & Lucy] were both good, and I think the quality is improving from film to film.

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