Daily Archives: July 31, 2013

Like Someone in Love (Japan-France 2013)

Takanashi Rin as Akiko

Takanashi Rin as Akiko

What a pleasure it is to watch a film by a great director. This film by Abbas Kiarostami takes its title from a classic Jimmy van Huesen/Johnny Burke song and it has only a rudimentary plot, beginning and ending seemingly in the middle of something. Yet the simple events of the narrative, involving no more than seven speaking parts, are presented in such a way that concentration never lapses and the mundane appears extraordinary. The plot involves Akiko, a young woman from ‘out of town’ attending university in Tokyo and working as an escort/bar girl in the evenings. She should be meeting her grandmother who has come to the city for the day, but she should also be revising for an exam. She tries to put off her boss who wants her to visit a client – a man he ‘respects’. The boss is insistent, so she will have to go.

Kase Ryo as Noriaki, the fiancé

Kase Ryo as Noriaki, the fiancé

The whole narrative covers less than 24 hours and most of that time is taken up by conversations, recorded messages, phone calls etc. featuring Akiko, her boss, the elderly client and Akiko’s boyfriend. As in Kiarostami’s earlier films, it isn’t so much ‘what’ is said, but more the mode of speaking and the effectiveness (or not) of communication that carries the meaning. Kiarostami provides the audience with beautifully composed and arranged scenes in which questions are raised but not answered with any conviction and we are left to provide our own meanings.

Following Certified Copy (France-Italy 2010), this is another Kiarostami film in which the Iranian filmmaker makes a film outside his own language and in a completely different culture. There is always a question over how filmmakers from ‘outside’ will represent Japanese culture, but most non-Japanese watching this film will probably not notice that this is an external view. Much has been made of the possible Ozu connections in the use of the camera, especially given Kiarostami’s own comments on the Japanese master. I’m not sure about this but I did feel some connection with another Ozu disciple, the Taiwanese filmmaker Hou Hsiao-hsien, especially via his Tokyo-set Café Lumiere. Kiarostami chose Yanagijima Katsumi as his cinematographer and his background includes work for Kitano Takeshi. I also enjoyed his work on Dreams for Sale in the last London Film Festival screenings. It’s possibly the opening nightclub scene that makes me think of Hou, but much of the rest of the film utilises long takes inside a car (as in the image at the head of this posting) and these are very much part of Kiarostami’s own style.

The question most cinephiles will ask themselves when they leave the cinema is about how they should interpret the title. I went straight to YouTube to find the version of the song used in the film. It’s a glorious track by Ella Fitzgerald from 1957. Its use is, in Kiarostami’s own words, there to represent what a person of his generation (Kiarostami is in his early seventies) might still be listening to. This is reinforced in the film’s dialogue when the client, Professor Watanabe, sings a few lines of ‘Que sera, sera (Whatever Will Be, Will Be)’ which for me will always refer to Doris Day’s version in the Hitchcock 1956 re-make of his own The Man Who Knew Too Much. The suggestion is that the old man perhaps acts ‘like someone in love’ or that he experiences events ‘like someone in love’. On the other hand, Akiko is interested in the old man’s music and his copy of a well-known Japanese painting. But we can’t be sure what she feels and indeed the main discourse in the film is ‘miscommunication’ – perhaps caused by more than one ‘someone in love’. I should also report that there is an element of danger and violence lying beneath the surface. Overall this is a film that is pleasurable to watch but which will also make you think, especially after its provocative final shot.

Inseparable (Xing ying bu li, China 2011)

'Chuck' (Kevin Spacey) and Li (Daniel Wu) meet on the top of Li's apartment block.

‘Chuck’ (Kevin Spacey) and Li (Daniel Wu) meet on the top of Li’s apartment block.

This is an important film in terms of the current developments in Chinese cinemas and I enjoyed watching it. Whether it captures the imagination of audiences in China or overseas is another question but it is about to be released on DVD in the UK and deserves serious consideration. I first came across the title at the Chinese Film Forum in Manchester earlier this year and I’ve been intrigued ever since.

Writer-director Dayyan Eng was born in Taiwan in 1975 and trained at both the Beijing Film Academy and the University of Washington. In China Eng is known as Wu Shixian. Inseparable or ‘Follow like a shadow‘ in its Chinese translation is one the first Chinese features to cast a leading Hollywood player, Kevin Spacey, in a leading role. Spacey speaks English in the film and plays a character who gets very close to Li, a young man played by the Hong Kong star Daniel Wu. Wu was born in the US and he speaks in English when with Spacey. The rest of the dialogue in the film is delivered in Mandarin and subtitled in English. The third lead is Gong Beibi who plays Li’s wife Pang.

Dayaan Eng came to the fore with festival prizes for his shorts East 22nd Street (1997), Bus 44 (2001) and his feature Waiting Alone (2004), but Inseparable aims for the popular market and its mix of popular genres might turn out to be a problem because I suspect that it will confuse some of both the popular and specialised film fans who would otherwise enjoy the film. But, if approached with an open mind, the film is enjoyable and mildly provocative in terms of social commentary. Inseparable is a difficult film to discuss because I don’t want to give away too much of the plot and spoil its narrative pleasures. I’ll try to give something of its flavour.

The pair dressed as superheroes – HLF refers to the Maoist era 'hero' figure Lei Feng.

The pair dressed as superheroes – HLF refers to the Maoist era ‘hero’ figure Lei Feng.

Lei Feng poster (from Wikipedia)

Lei Feng poster (from Wikipedia)

Li works as an engineer developing prosthetic limbs for a large corporation – enabling Eng to explore aspects of the office culture in modern China, including the pressure on workers at all levels. (The film looks great throughout courtesy of Thierry Arbogast’s cinematography, reminiscent of his work with Luc Besson.) Li has a good income and a nice apartment but is clearly unhappy and depressed. His wife is often away working as a reporter for a TV company. When Spacey mysteriously appears in Li’s apartment block neither Li or the audience is sure what to make of him, but he is persuasive and full of advice. He convinces Li that he needs to ‘discover himself’ and in effect become a ‘Superhero’, seeking out injustices and vanquishing the bad guys. This leads to the possibility that the film will become a comedy-action-drama with a focus on some of the social problems of China’s growing urban areas including the boorish behaviour of the newly wealthy, the adulteration of foodstuffs and scandals involving the health system. Li’s concept of a superhero refers back to a Mao era ‘hero’, Lei Feng – a figure used in official part propaganda as a role model. But enjoyable though this side of the film may be, the question remains, who is ‘Chuck’ the character played by Spacey? Does he exist at all? Is he like the imaginary friends of childhood? In turn, do we really understand what is going on inside Li’s head? In some ways Inseparable resembles those Charlie Kaufman-scripted films such as Being John Malkovich or Adaptation. There is also a suggestion that Li might be one of Phil K. Dick’s ‘ordinary Joes’ caught up in a world of uncertainty.

The UK trailer is here:

 

InseparableDVDMy fear is that the action fans and the science fiction/fantasy fans will not get enough of their genre pleasures from the film. Kevin Spacey’s presence may draw his fans in. I’m not a Spacey fan and for me his presence was the weak point of the film. However, it didn’t detract from my overall enjoyment too much and I’d recommend the film as an interesting example of what global film is now starting to become. The technical credits are excellent, the performances are good and there are many pleasures – the battle against rogue tofu suppliers was my favourite.

Inseparable is released on Region 2 DVD on August 19th. Here’s the link to Amazon’s offer on DVD pre-orders. The film is also available on Blu-ray. Thanks to Matchbox Films for sending me a review copy.