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Womens Film

This category contains 25 posts

How Old Are You? (India 2014)

Here is a Malayalam film released in UK cinemas without English subtitles. I was surprised and slightly worried at the prospect of 141 minutes of incomprehension. But I shouldn’t have worried. This is a popular drama (but not a Bollywood-style film) and although I missed a couple of key plot points at the time, I’ve … Continue reading

Thérèse Desqueyroux (France 2012)

Claude Miller died soon after completing this his 15th feature film. It was a distinguished career which included a period when he was production manager for first Jean-Luc Godard and then, for some time, François Truffaut. (See this obituary for more background.) Two films from him as writer-director that I remember enjoying are Un secret (2007) … Continue reading

Fifties British Cinema: Woman in a Dressing Gown (UK 1957)

Woman in a Dressing Gown was re-released on a DCP (digital cinema package) and Blu-ray/DVD discs in the summer. This re-release is slightly more significant than most since the film has been out of circulation for some time – not seen in cinemas, nor as far as I know, on DVD. It’s an important film, … Continue reading

Women Without Men (Zanan-e bedun-e mardan, Ger/Austria/Fra/It/Ukraine/Morocco 2009)

This film sneaked out on a single print in June 2010 in the UK and I missed it. I only became aware of it when researching A Separation. I’m glad that it is now available on DVD as it proves to be an interesting production for several reasons. Shirin Neshat is an Iranian visual artist … Continue reading

Bridesmaids (US 2011)

I watched Bridesmaids partly out of a genuine attempt to research what is popular with contemporary audiences and partly because my partner was intrigued enough to want to see it. We were part of a mainly female audience in a small auditorium (100 seats half full). The audience appeared to have a good time. I … Continue reading

Lady Oyû (Oyû-sama, Japan 1951)

Unusually for a film by the great master Mizoguchi Kenji, I found Lady Oyû quite difficult to get into. Oddly though, I now find myself thinking about it quite a lot. Viewed by many critics to be one of the weakest of Mizoguchi’s films and disowned to some extent by the director himself, it still … Continue reading

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