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BIFF 2012

This tag is associated with 16 posts

BIFF 2012: Final Thoughts

I wasn’t able to make the final day of the festival on Sunday but a press release reveals that the winner of the first European Features Competition was Volcano directed by Rúnar Rúnarsson, who received €3,000. I’m happy to concur with the judges and this was the winner I expected. It’s a fine film and … Continue reading

BIFF 2012 #14: Shorts

Bradford International Film Festival has, for as long as I can remember, regularly included a short before each festival screening of a feature (unless the length of the feature makes this impractical). This is in addition to specific programmes of shorts, e.g. the Shine Short Film Competition. This inclusion of short films in the main … Continue reading

BIFF 2012 #13: Toomelah (Australia 2011)

As I watched this film I found myself engrossed but also at times bewildered and definitely disturbed. Toomelah was screened as part of a celebration and exchange between Bradford and Sydney as the first two UNESCO ‘Cities of Film’. My reaction was partly formed around the question of what kinds of considerations went into the … Continue reading

BIFF 2012 #12 Bread and Circuses (Kruha in iger, Slovenia 2011)

This was the last of the six entries in Bradford’s ‘New European Features’ competition. I don’t expect it to figure highly in the judge’s considerations, but that does not mean that the film isn’t of interest. It’s a mainstream popular film – a form of broad social comedy with many familiar and universal elements. As … Continue reading

BIFF 2012 #11: Adalbert's Dream (Visul Lui Adalbert, Romania 2011)

For some obscure reason I seem to have missed all the major films of the Romanian New Wave, so I was pleased to get the opportunity to see this film. As far as I can make out, it isn’t typical and in fact seems to be a conscious attempt to create a contemporary version of … Continue reading

BIFF 2012 #10: Volcano (Eldfjall, Iceland/Denmark 2011)

Volcano is a recognisable Nordic drama, harrowing in parts and occasionally uplifting – never sentimental, always intelligent. As several trade reviewers jokingly put it, this isn’t a ‘date movie’ – but for older audiences it will ring very true or perhaps start some re-evaluations of family relationships. At the beginning of the film Hannes is … Continue reading

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