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LFF 2012

This tag is associated with 10 posts

LFF 2012: Final thoughts

I enjoyed my three day visit to the LFF and this time to have the chance to spend more time in ‘BFI Southbank’ as it is now branded. I know that the changes took place some time ago, but for those of who live 200 miles or more away, the LFF is our main chance … Continue reading

LFF 2012 #8: Children of Sarajevo (Djeca, Bosnia-Herzogovina 2012)

My final film during my festival visit was programmed in the ‘Debate’ strand, though again, I fail to see what the debate might be – except that we might want to argue that most of us who live comfortable lives ought to appreciate much more how difficult other lives can be. But that can’t really … Continue reading

LFF 2012 #7: Mahanagar (India 1963)

It’s great news that Satyajit Ray’s 1963 masterpiece is to be re-released in the UK on a new digital print in Summer 2013 and it was a privilege to be able to view the new print in the ‘Treasures’ strand of the LFF. This restoration goes back to the original film negative and looks very … Continue reading

LFF 2012 #6: Dreams for Sale (Yume uru futari, Japan 2012)

Writer-director Nishikawa Miwa was in attendance for this screening and through the excellent interpreter, whose name I didn’t catch, she was able to give the audience plenty to think about. It’s quite a long film (134 mins) and we didn’t leave NFT2 until around a quarter to midnight. I enjoyed every minute. Dreams for Sale … Continue reading

LFF 2012 #5: Aquí y allá (Here and There, Mexico-Spain-US 2012)

This Mexican feature, like the earlier LFF film Memories Look at Me, is placed somewhere between fiction and documentary. It’s a deceptive neo-realist story that forgoes a strong central narrative in order to present events in the life of a Mexican family in separate episodes over a few years. In the section titled ‘The Return’ at … Continue reading

LFF 2012 #4: For Love’s Sake (Ai To Makoto, Japan 2012)

Is Takashi Miike the hardest-working man in showbizz? He certainly completes a mind-boggling number of films each year. Very few of them get a cinema screening in the UK, so I was delighted to get the chance to see this in NFT 1, albeit on a French print with burned-in French subs and an extra … Continue reading

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