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This tag is associated with 9 posts

The Great Beauty (La grande bellezza, Italy-France 2013)

During the first half of this film (that I knew had been a Cannes success earlier this year) I did wonder what I was going to get out of it – apart from a terrific soundtrack, production design and camerawork. At the end I was genuinely surprised that 140 minutes had passed. As I began … Continue reading

I’m So Excited (Los amantes pasajeros, Spain 2013)

When a subtitled film gets a wide release, I’m always torn between elation that it is going to be more widely seen and a terrible fear that there will just be two of us in the multiplex screen. The other possibility is that people will see it and loathe it. I wondered if this might … Continue reading

BIFF 2012 #11: Adalbert's Dream (Visul Lui Adalbert, Romania 2011)

For some obscure reason I seem to have missed all the major films of the Romanian New Wave, so I was pleased to get the opportunity to see this film. As far as I can make out, it isn’t typical and in fact seems to be a conscious attempt to create a contemporary version of … Continue reading

Surviving Life – Theory and Practice (Czech Republic/Slovakia/Japan 2010)

What better way to escape the madness of consumer Christmas than watching a Jan Svankmajer film? This is the potential treat for lucky filmgoers in a handful of UK cities over the next few weeks. See this distributor website for a list of cinemas showing the film. I’m usually a fan of Verve Pictures but … Continue reading

Mitsuko Delivers (Hara Ga Kore Nande, Japan 2011)

The Leeds Film Festival Programme tells us that writer-director Ishii Yuya is a ‘Leeds favourite’. I assume that this is a reference to the young man’s (he’s still only 27/28) previous film Sawako Decides that seems to have been very successful on the international festival circuit. In fact he has produced some eight features in six … Continue reading

Films From the South #15: Virgin Goat (Ladli Laila, India 2009)

There were several new Indian films in the festival, but most were on at times that were inconvenient for me. Virgin Goat turned out to be quite distinctive. Essentially a form of ‘parallel film’ it isn’t what one might expect from that label, nor from its other institutional classification as a ‘festival film’ (with funding … Continue reading

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