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European Cinema

This category contains 12 posts

European ‘international’ productions

There was a bit of a stink last week when The Family was released in the UK. This film, written and directed by Luc Besson for his EuropaCorp was panned by virtually all the leading UK critics. They may well be correct in giving it the thumbs down. I haven’t seen the film, though I’m … Continue reading

Berberian Sound Studio (UK-Germany 2012)

Peter Strickland’s debut feature Katalin Varga was such a striking film that I had great expectations of Berberian Sound Studio. To a large extent those expectations were fulfilled, but I also have some lingering doubts – not about the quality of the filmmaking, but about what the film offers to audiences. This is the kind … Continue reading

Apologies to Europe!

Ironically, when British Cinema has had arguably its best year as a cultural producer for a long time, we are saddled with a Con-Dem government that makes me ashamed to whisper my national identity. The Europhobic zombies who sit on the Tory backbenches look as if they have managed to damage everything this last weekend … Continue reading

StudioCanal – a new European studio operation

As we suggested in our comments on Tinker Tailor Soldier Spy, StudioCanal are shaping up to operate as a pan-European producing and distributing studio. On 29 September an announcement in Paris outlined a three-year deal with a London-based private investment fund, Anton Capital Entertainment (ACE) worth €150 million and helping to create a total fund … Continue reading

Tinker Tailor Soldier Spy (UK/France/Germany 2011)

I was eager to see Tinker Tailor Soldier Spy (the lack of commas appears deliberate) simply because of my admiration for Tomas Alfredson’s previous film Let the Right One In. I wasn’t disappointed in his direction. I enjoyed the film very much and I think it is one of the best designed films (by Maria … Continue reading

Love Life (Netherlands 2009)

(This entry was originally published in September. The film was released in selected cinemas in the UK on December 3rd.) The English title of this hit Dutch film is somewhat misleading. It may be ‘puntastic’ and clever, but unsuspecting audiences could find themselves watching something rather different to their expectations. The original title is Komt … Continue reading

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