archives

Nordic Cinema

This category contains 43 posts

The Nile Hilton Incident (Sweden-Denmark-Germany 2017)

The Nile Hilton Incident is an intriguing film, not only in its presentation of an exciting crime thriller in a precise location, but also as a film production which invokes a specific kind of response. In its own way it’s the perfect case study for ideas about global film. This  film is a product of … Continue reading

The Commune (Kollektivet, Denmark-Sweden-Netherlands 2016)

I’m glad I finally got to see this at a public screening (thanks to Square Chapel, Halifax). The Commune is partly a nostalgia trip for those of us who lived through the 1970s – though I was younger than the main characters, I can still recognise the world depicted here (meant to be 1975). Co-writer/director … Continue reading

Masjävlar (Dalecarlians, Sweden-Denmark 2004)

As an avid fan of The Bridge (Bron⎮Broen) it was not long into Season 1 that I realised that I’d seen Sofia Helin before in a film I’d used on an evening class. This was Masjävlar (Dalecarlians) and it featured as part of a class I ran at the National Media Museum, linked to an exhibition … Continue reading

Beck (Sweden 2015: Series 5)

I was surprised and delighted when five Beck films were picked up by the BBC and broadcast recently on BBC4. The first film I watched was enjoyable and entertaining but it seemed to miss the most important element of the famous series of books – the critique of Swedish society. However, I’ve watched four more and … Continue reading

The Hunters (Jägarna, Sweden 1996)

The Hunters was a big hit in Sweden in the 1990s but, as far as I am aware, didn’t receive a UK cinema release. It wasn’t until the success of Scandinavian TV noir dramas that UK distributors began to look out for Scandinavian genre films. Consequently it was only in 2012 that I learned about … Continue reading

In Order of Disappearance (Kraftidioten, Norway-Sweden-Den-Ger 2014)

Kraftidioten got very good reviews at the Berlin Festival in January but has been released by Metrodome on just 25 screens in the UK. That’s a shame because it is an enjoyable black comedy with a star cast offering great entertainment value. The film’s Norwegian title refers to the ‘power idiots’ who operate in part of … Continue reading

Follow itpworld on Twitter

Categories

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 343 other followers

Archives