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Politics on film

This category contains 18 posts

Ordinary Heroes (Qian yan wan yu, Hong Kong (Cantonese) 1999)

‘Creative Visions’ is the title of the latest celebration of Hong Kong Cinema at HOME in Manchester (continuing a series of celebrations that started during the cinema’s previous incarnation as Cornerhouse). This latest short season of films presents work from 1997-2017, twenty years since the handover of Hong Kong back to China. HOME’s seasons come … Continue reading

Walesa: Man of Hope (Poland 2013)

We watched this film a fortnight ago and it seems a little strange that I haven’t thought much about it since. I’m hoping that Keith will have some comments to add. I’ve always been a fan of Andrzej Wajda and I looked forward to this biopic of Lech Walesa very much. It’s the final part … Continue reading

Hannah Arendt (Germany/Lux/France 2012)

I fear that I don’t have time to do this marvellous film justice, but I’ll do what I can. At the beginning of the film I found it a little difficult to engage with and I’ve seen criticism of the direction and performances. However, whatever the problem was, I overcame it quite quickly and became … Continue reading

Satyagraha (India 2013)

I only see the occasional mainstream Bollywood film on release, but I try to keep up with how the industry is changing so I joined four other brave souls for a lunchtime screening of the latest film to star the ‘Big B’, Amitabh Bachchan.  I knew little about the director Prakash Jha except that he … Continue reading

Martin Luther King and the March on Washington (UK/US 2013)

This Smoking Dogs production for BBC2 and PBS, directed by John Akomfrah, is perhaps the best television programme I’ve ever seen. There are three reasons why I say this. First is the political and historical importance of the material. I can’t say that I appreciated it at the time, but only a few years later … Continue reading

BIFF 2013 #17: What Happened to This City? (Kya Hua Iss Shaher Ko, India 1986)

There is a long story behind this film and watching it was a strange experience for me. I’m not sure what sense I made of it but the film was impressive formally and important as a historical document. What it means in terms of contemporary India is less clear and I would need a great … Continue reading

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