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Melodrama

This category contains 141 posts

Cloud-Capped Star (Meghe Dhaka Tara, India (Bengal) 1960)

Cloud-Capped Star is the first film in Bengali director Ritwik Ghatak’s trilogy about the partition of Bengal in 1947 and its aftermath. It could be argued that all of Ghatak’s features between 1952 and 1977, when his last work was released posthumously, were concerned with the partition, but it is the trilogy that has been … Continue reading

The Commune (Kollektivet, Denmark-Sweden-Netherlands 2016)

I’m glad I finally got to see this at a public screening (thanks to Square Chapel, Halifax). The Commune is partly a nostalgia trip for those of us who lived through the 1970s – though I was younger than the main characters, I can still recognise the world depicted here (meant to be 1975). Co-writer/director … Continue reading

Sweet Bean (An, Japan-France-Germany 2015)

For reasons I don’t fully understand, the Japanese director Naomi Kawase divides film critics and audiences. A regular presence at Cannes, her films have until recently been seen only at festivals in much of the English-speaking world. It wasn’t until Still the Water from 2014 that she achieved a UK release. Despite all her international … Continue reading

Mon Roi (France 2015)

StudioCanal has a habit of what strikes me as ‘dumping’ French titles on the UK market. They open in a handful of cinemas with little promotion and then go straight to DVD or online. These are sometimes titles from interesting directors or they have been hits in France but are presumably not expected to do … Continue reading

Assassin (Taiwan/HK/China 2015)

Assassin is the kind of film that you don’t expect to understand after a single screening. As I left the cinema an audience member spoke to an usher who asked him what he thought of the film. “Well, it was very beautiful”, he said, “I didn’t understand it all, but that’s OK because I enjoyed the experience”. I … Continue reading

Crimson Peak (US-Canada 2015)

Guillermo del Toro’s Crimson Peak is a companion piece for his early films The Devil’s Backbone (El espinazo del diablo, Spain-Mexico 2001) and Pan’s Labyrinth (El laberinto del fauno, Spain-Mexico-US 2006) and the film he helped to produce, El orfanato (The Orphanage 2007). But whereas these films combined the ‘gothic romance’ with a Spanish Civil … Continue reading

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