¡Viva! 2013 #3: La vida empieza hoy (Life Begins Today, Spain 2010)

Rosita (Mariana Cordero) browses a sex shop in the hope of finding something to stimulate her husband.

Rosita (Mariana Cordero) browses a sex shop in the hope of finding something to stimulate her husband’s interest.

vivalogoI can’t help but compare this film to the recent British attempts to directly address the over 60s cinema audience, but Life Begins Today predates them. It’s also, at least for me, funnier and more poignant than The Best Exotic Marigold Hotel, Quartet or Song For Marion. The narrative is built around several pensioners who attend a ‘sex class’ in a local education centre. The class is run by an indefatigable teacher who wants her students (with ages ranging from 60s to 80s) to recognise that sex should still be important in their lives. We get to see the impact of the classroom experience on three students and their various family members and relationships. The individual characters are quite well-drawn and varied enough to maintain our interest.

Pepe is the youngest and taken aback that his mistress treats his retirement as a prompt to leave him. Does he want to re-kindle some passion in his relationship with his wife Rosita? He doesn’t try – but she realises that it is up to her. Herminia is trying to lead her own life after the return of her singleton daughter – who seems to treat her as a possible dementia sufferer. Fortunately she bumps into Julián who has returned after many years from Argentina. He doesn’t need much encouragement, which is just as well because his son doesn’t know how to receive him and as convention demands it is his teenage grandson who understands him best. So far, so familiar sex/age comedy. More intriguing perhaps is the representation of the angry and repressed widow Juanita who in the end gets the last laugh from the film.

I hesitate to comment too much on the success of the comedy in the film. It’s all too easy to be entertained by a film in a language that you don’t know – ignoring or not noticing the aspects that in an English language film would be off-putting. Still, I wonder if the fact that both script and direction are by women means that many of the traps in this kind of filmmaking are avoided or handled more successfully. My experience is that, very often, female filmmakers deal with sex and sexuality much more effectively than men.

There was a very good house in Cornerhouse’s biggest screen for this showing and they all seem to have a good time. I suppose it’s asking too much for a UK distributor to pick up the film for more screenings? One last thought, are masturbation jokes finally spreading beyond the usual teenage boys comedy? Have filmmakers finally realised that most people masturbate at some point?

Trailer (in Spanish, no subs):

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