Here is a French film that has probably achieved a UK release because of the casting of Kristin Scott Thomas. She has a pulling power for specialised cinema audiences in the UK almost unmatched by any other star actor. She’s fine in the film – but she doesn’t appear that much. We’ve had plenty of discussion on this blog about how she is cast in French films and whether or not the script will attempt to explain her accent. In this case she is ‘Iva’, a theatre director in a long term relationship with Damien (Jean-Pierre Bacri) who teaches ‘Asian civilisations’ and specifically a class for French business people attempting to develop projects in China. The couple have a young teenage son and things are not going well. Iva has asked Damien to speak to his father, a senior legal figure, in an attempt to persuade him to intervene in the case of a young Serbian woman who is faced with possible expulsion from France after her residency permit has been withdrawn. (I didn’t quite follow the convoluted relationship between Iva and this woman and therefore I’m not sure about the Scott Thomas character’s background in this script.) Damien has a very poor relationship with his ego-centric father and finds this task very difficult and this will eventually create a further series of problems on top of everything else.
The film is intended as a comedy and, applying the test used by Mark Kermode to evaluate Hollywood comedies, I have to report that I laughed out loud several times. But this is a very Parisian sort of comedy, a comedy of manners and a comedy that requires quite a lot of cultural knowledge – I’m sure that I didn’t get all the references and someone looking for a frothy romcom should stay away. But if you like talky, intelligent films with terrific performances and witty dialogue, it’s very good.
The director is Pascal Bonitzer, who has made several features but is perhaps better known as a veteran scriptwriter – most frequently for Jacques Rivette, but also for André Techine, Raoul Ruiz and several others since the mid 1970s. He says that the character of Damien has some of his own traits (Bonitzer wrote the script with Agnès de Sacy) and Jean-Pierre Bacri does an excellent job. If that name doesn’t ring a bell for UK audiences, the hangdog face surely will. Bacri has appeared in the last three films by his partner Agnès Jaoui. This blog carries very positive responses to Let’s Talk About the Rain (2008) for instance. Like that film, Looking for Hortense combines moments of silliness with quite moving scenes and serious social issues. It takes great skill to mix these ingredients together and produce a coherent film that appeals to the intellect and the funny bone. I think that Pascal Bonitzer manages to do that but I was bemused by the title and only after reading reviews did I understand that ‘Hortense’ is actually the family name of the character who rules on the residency issues that Damien must discuss with his father. I don’t want to spoil the plot but I do want to pick out Isabelle Carré who plays the character who in effect joins all the stories together. She is excellent and like Bacri, an actor I have seen before and whose performances I’ve enjoyed (in Anna M. for example). I just wish it was easier to see French films of this quality on a more regular basis. This week I saw or heard another reference to the ‘difficulties’ subtitled films have in the UK – even when bland Hollywood fare is being dumped into UK multiplexes.
And here is the UK trailer (quite good in not giving too much away):